All Images ©Respective Artists ©The Greenwich Workshop®, Inc.

 



Be Where Your Feet Are
by Cassandra Barney

“I remind myself to ‘be where my feet are’ often,” says artist Cassandra Barney. “My mind tends to drift toward the future, sometimes planning or worrying about what lies ahead, missing the present. Being present is where life is the most rich and colorful. I've even found myself consciously feeling the soles of my feet on the ground to get myself there.

“I really like the way the images on the vintage wallpaper enriched the idea. The hunters in the background could be a distraction but the figure stands with her feet on the ground, amongst the most beautiful flowers.”


Greenwich Workshop Fine Art Giclée Print:
limited to 75 s/n.
13"w x 26"h.
$250
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Angel Unaware
by James C. Christensen

This unassuming young woman has been endowed with wings and grace with such force that even the invisible has left its shadow on stone. And she's not sure what just happened . . . .

"She remains modest and humble and is probably unaware of what she has done. Her service and kindness just seemed like the right thing to do," says artists James C. Christensen.

Greenwich Workshop Fine Art Giclée Print:
limited to 250 s/n.
19 3/4"w x 13 1/4"h.
$295
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Finding Your Fish
by James C. Christensen

"This painting is about that blissful moment when you meet your magic, whatever that may be for you," says the artist.

SmallWorks™
Greenwich Workshop Fine Art Giclée Canvas:
limited to 375 s/n.
9"w x 14"h.
$225
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High Hopes
by Guy Combes

This small herd of Rothschild giraffe is making its way across the Great Rift Valley as pelicans from Lake Elmenteita pass overhead. Less than 700 of the Rothschild giraffe are thought to remain in existence, possibly only 500. Their habitat is severely depleted and this giraffe subspecies can only be found in the wild in areas of Murchison Falls National Park in Uganda, Nakuru National Park in Kenya and Soysambu Conservancy, also in Kenya. “At Soysambu we have a population of 60 that are breeding very successfully,” says artist Guy Combes. The Soysambu Conservancy is a non-profit organization whose goal is to preserve Africa’s Great Rift Valley ecosystem for the benefit of future generations of both man and animal.


Greenwich Workshop Fine Art Giclée Canvas:
limited to 50 s/n.
19"w x 24"h.
$450
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Early Snow
by R. Tom Gilleon

“After spending the summer months on the move or in cooler summer encampments at higher elevations,” says Tom Gilleon, “Plains tribes would often move to some river corridor for their winter encampment. The trees that lined these rivers would help provide protection from the elements as well as firewood for the cold winter months. As it is for us today, deep snow was not the Indian’s best friend. This light covering feels to me like it’s the season’s first.”

Gilleon is the 2009 Jackson Hole Arts Festival’s Featured Artist and has an exhibition at Jackson’s Altamira Fine Art for the month of September. The Jackson Hole Arts Festival encompasses the season’s most prestigious shows and auctions, a noteworthy honor.

Greenwich Workshop Fine Art Giclée Canvas:
limited to 45 s/n.
20"w x 20"h.
$450
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Beauty and the Beast
by Scott Gustafson

Every evening the Beast comes to visit Beauty in her chamber, to talk with her and be near her. Tonight, as she sweetly plucks the harp strings, her mind wanders home to her father and sisters she misses so terribly. He, on the other hand, can think only of her. Every night before he leaves, this longing for her wells up and consumes him and he is compelled to ask, “Beauty, will you marry me?”

And every night her answer is the same: “Even though I have grown to care for you very much, Beast, I do not love you. I am sorry, but no, I cannot marry you.”

He exhales his grief in a deep sigh that echoes like a moaning wind through the palace corridors. Neither of them is aware at this moment that a bond has grown between them. Nor do they know what miracles the love they share will ultimately reveal.

In folkloric circles, the story of "Beauty and the Beast" belongs to a story motif called a Beast Marriage. This happens to be a very common motif and appears in many tales and ballads throughout the world, one of the most famous variations being Grimm's fairytale, "The Frog Prince."

"Since, from the very beginning I knew there was going to be a tapestry in the background of this piece, the only question was what would be the subject matter," said the artist. "Ultimately, it seemed only fitting that the Beast might have chosen for his wall décor an image depicting characters from a story so similar to his own and from which he surely would have derived much inspiration."

Greenwich Workshop Fine Art Giclée Canvas:
limited to 75 s/n.
17"w x 21"h.
$395
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Autumn Barn
by Paul Landry

Stopping by a country farm is a rite of the fall season for many people. New England artist Paul Landry lovingly captures the familiar scene. Crimson and gold maple leaves, fragrant with the earthy aroma of the season, drift gently down. The old barn is filled with late harvest abundance. Crisp apples, sweet and tart, will be eaten on the ride home or squirreled away for Thanksgiving pies and applesauce. Pots of bright chrysanthemums wait outside, looking for a home on your front stoop, along with the first couple of pumpkins that are ready for carving or eating. The Autumn Barn holds the last light of an Indian summer afternoon and advertises that secret ingredient in the very best apple pies: “Pick your own.”


Greenwich Workshop Fine Art Giclée Canvas:
limited to 100 s/n.
27"w x 15"h.
$495
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Flight
by Judy Larson®

“Life, Liberty and the pursuit of Happiness” as “inalienable rights” is a concept that could only be born in a place where the land was abundant and its bounty teeming. Nothing is more American than wild horses ranging the West and wolf packs prowling the forested wilderness. Yet, these symbols of all that is wild and free are not only as threatened today as they have ever been, but are being rounded up and disposed of in a fashion they have never before had to fear: from the air.

In Judy Larson’s Flight, a herd of wild horses races away from the droning aircraft circling above. This method of rounding-up mustangs such as these is part of the program to further cull the 33,000 horses still living in the wild in 10 Western states. Another 30,000 are already in captivity. The Bureau of Land Management wants to cut this total number of horses by half!

Judy has hidden within this herd another who has even more to fear from above, an Alaskan wild wolf. Exploiting a loophole for “predator control” in the Federal Airborne Hunting Act of 1972, Alaskan hunters have found a way around the Congressionally-banned practice of hunting animals like the wolf from the air. Many hunters consider the practice, at a minimum, unsportsmanlike, since it violates the "fair chase" ethic of hunting. More significantly, they consider it inhumane since airborne gunmen rarely get a clean (i.e., relatively painless) kill.

Greenwich Workshop Fine Art Giclée Canvas:
limited to 150 s/n.
27"w x 20"h.
$625
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Little Big Horn, June 25, 1876
by Z. S. Liang

Early afternoon, June 25, 1876, Montana Territory, two scouts from the Sioux Encampment sight the Seventh Cavalry, led by General George Armstrong Custer, approaching from the East. The infamous Battle of the Little Bighorn is about to begin. Known to Native Americans as the Battle of Greasy Grass Creek, the conflict between a combined group of Lakota and Northern Cheyenne (led by great leaders such as Chief Sitting Bull and Crazy Horse) against Custer’s cavalry was a stunning defeat for the U.S. Army. Much has been made of Custer’s possible hubris in actions that led up to the battle, but the stark fact remains that these Native American warriors fought in a far superior fashion than had been expected. Also known as “Custer’s Last Stand,” the battle represented the high water mark of the Indian alliance and the call for retribution on the part of the U.S. citizenry was answered swiftly and harshly.

Greenwich Workshop Fine Art Giclée Canvas:
limited to 40 s/n.
21"w x 32"h.
$850
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North Country Shores
by Stephen Lyman

Through years of study and exploration, Stephen Lyman discovered his calling: to paint the wilderness with passion and commitment. Through his paintings you, too, can travel deep into the woods, find serenity at the water’s edge and feel completely at home in the wild. North Country Shores, part of a series the artist referred to as “light in the wilderness,” embodies three of his favorite landscape subjects: water, light and wildlife. “The strong wind is coming off the lake right into your face, so you can imagine yourself standing there, your hair blowing back, being washed over by all this light, beauty and freshness,” said the artist. “The whole feeling I wanted to paint was golden, fresh, pristine, windblown purity.” Clear, cold and suffused with golden light, this spectacular, late winter afternoon vista is accented by the bald eagle poised in flight with a fresh catch in its claws.

Anniversary Edition
MasterWork™
Greenwich Workshop Fine Art Giclée Canvas:
edition not to exceed 175 and signed by Andrea Lyman.
46"w x 18"h (unstretched).
$950
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Branch, Axe, Paper, Scissors
by Emily McPhie

"These are mixed media," says artist McPhie. "I gessoed watercolor paper, drew with  Conte  and colored pencil, a little oil paint, crackled and glazed. The idea here is about taking things apart and putting them together."

There's a relationshp between a branch and an axe but in this pair there is a deliberate intensity about the branch and the axe is a bit taken aback. With paper and scissors, paper seems to be gracefully offering and scissors is taking a second look, perhaps reconsidering the mission. The feminine, marionette-like poses of these figures belie the gravity of decisions hanging in the balance. Like much of Emily McPhie's work, this series will keep speaking long after the viewer has turned away.

Greenwich Workshop Fine Art Giclée Print:
limited to 75 s/n.
27"w x 10"h.
$250
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Father Christmas: The Sleigh Ride
by Dean Morrissey

More exciting than a nip of frost in the air, more highly anticipated than the first snow, is the arrival of Dean Morrissey’s latest creation in his Father Christmas series featuring none other than the worldly traveler with a merry twinkle in his eye.

It’s Christmas Eve and the reindeer are in harness, the sleigh is filled to bursting with gifts. Circumnavigating the earth is a rare enough feat but doing so in the course of one blustery winter night, while making countless deliveries all the way around, is nothing short of remarkable. With his book of names and his sextant tucked nearby for ready reference and celestial navigation, Santa slaps the reins and his enchanted journey begins.

“I wanted to give a little of my sense of the character and the kind of wonder that surrrounds him,” says Morrissey, “both for kids and for grown-ups. Father Christmas is like Frosted Flakes®—a lot of adults don’t admit that they still love ’em.”

This lavish portrait of Father Christmas in action is sure to be a magical holiday gift for believers of all ages.

Greenwich Workshop Fine Art Giclée Canvas:
limited to 75 s/n.
32"w x 16"h.
$575
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Greenwich Workshop Fine Art Giclée Canvas:
limited to 450 s/n.
20"w x 10"h.
$295
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A Christmas Leave, When Dreams Come True
by William S. Phillips

The American Homefront Series, an episodic look at home life during World War II, comprises some of artist William S. Phillips’ most popular and sought-after works. In this Anniversary Edition of A Christmas Leave, When Dreams Come True, it’s 1943 and the young soldier from the first painting, If Only in My Dreams, is home on leave. “This is one of the fortunate few who got a Christmas leave during World War II,” says the artist. “I wanted a more peaceful feeling in this painting, so the soldier is driving into the sunset. The colors are warmer and the mood is more festive.” There are still shadows on the horizon but the path to victory seems clear.

Look closely at each painting in the Homefront Series to find a plane in the sky. The DC-3 in this painting (known in its wartime version as a C-47) is now a passenger airliner. The dog that waited patiently for his master’s return sits beside his owner on the way to a family reunion, to play cards with the boys or maybe to visit his girl. Tonight on the radio they might even hear, “When Dreams Come True,” immortalized by Count Basie and his Orchestra.

Anniversary Edition
Greenwich Workshop Fine Art Giclée Canvas:
edition not to exceed 175 s/n.
32"w x 16"h.
$595
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The Calico Dress, Family Laundry, 1906
by Mian Situ

Because of the circumstances of turn-of-the-century Chinese immigrants to America, many of them had few alternatives to mining, working in restaurants or laundries. Operating a laundry required relatively little capital, education or English fluency. Often times, entire families lived crammed together in the back of their laundry storefronts. While the parents worked, the children helped however they could.

It was hot, 14-hour-per-day work and after lunch the young man ironing struggles to stay alert while the mother does the mending. Chinese culture, food and clothing may have been replicated in Chinatowns on the West Coast, yet everything around the tight-knit communities was different. “I posed the daughter curiously trying on the calico dress brought in by their American customer,” says the artist. Is she wondering what it feels like to be an American girl or is it only a strange costume?

Greenwich Workshop Fine Art Giclée Canvas:
limited to 35 s/n.
25"w x 27"h.
$850
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Deeds of His Father
by Howard Terpning®

In the 18th and 19th centuries, many Plains warriors told the stories of their war deeds and accounts of important events that took place each year in their lives, in simple form drawings that were not literal but rather highly stylistic—with many symbols that were understandable only to the Native Americans. These stories were drawn and painted on hides such as buffalo, elk, deer and antelope. The warrior who produced the drawing on animal hides was telling friends and foe alike of his many accomplishments and deeds of bravery.

This painting shows a young warrior proudly displaying his father’s painted robe on the back of his pony. He has placed his moccasins on the withers of his mount so they won’t get wet as he cools his feet in the water.


SmallWork™
Greenwich Workshop Fine Art Giclée Canvas:
limited to 395 s/n.
12"w x 9"h.
$325
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